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  • Hello and welcome!

    Here on my blog you will find photoblog posts of recent shoots, tutorials, links to actions and textures, videos, behind the scenes action and some random ramblings. Enjoy! :)

How I made “The Dancer”

I took a few bird’s eye view images of Sevgi on one of our meetups, but felt that the leaves looked quite plain, and not as vibrant and ‘Autumn-y’ as they could have been – when I think of Autumn I generally think of wonderfully bright reds and golden ember tones. The original pictures looked quite different to my final ones, so I thought I would share how I got from the start to end end result  : )

Here is the original image, the composition and pose was pretty much spot on what I wanted, but it just lacked the colour I was looking for. I shot this with my wide angle 16-35mm lens from up a tree looking down (not that comfortable):

Here is the final image I came up with, which has that warm Autumn afternoon glow I was after, along with greater depth and range of colour:

 

Below I have posted screen shots every layer of my image, so I can explain how this was edited in Photoshop:

 Firstly I used a couple of Curves layers to bring out the shadows and highlights a bit more, I wanted to highlight the contrast in that  lovely dappled light. I also brought the red Curves  up a little, to brighten the red running through out the image. The above image looks quite dark, but I wasn’t worried about that because of the textures I was going to use in the next step below would do some lightening. I used Layer Masks on the Curves here and erased some  areas that I though were a little too dark. If you’re unfamiliar with Layer Marks, they are basically a way of hiding / showing that layers adjustments. By putting a mask on a layer (though adjustment layers have them automatically) You can use the paint brush in either black or white (dependant on if the layer mask is black or white) to paint over the layer to remove or bring back detail. Masks are a great thing to master because technically you’re never actually erasing – you’re just showing or hiding things. If you make a mistake, you can always switch colours and paint over that mistake to reverse it. That’s my favourite thing about Layer Masks!

Once I was happy with the contrast I applied a couple of textures over the image. These are from Jessica Drossin and I just love them. They have wonderful colours and depth and I thought they would be perfect to boost some Autumn colour. The blueish texture is on Overlay as you can see, and the one below was on Soft Light. Whenever I use textures I always use them with a Layer Mask, so I can selectively erase bits on varying opacity – I highly recommend this instead of erasing the texture itself, as if you make any mistake or want to bring any detail back, you can just swap your brush colour over and repaint on the mask. As you can see they’ve added a nice bit of colour and light pop:

Once I had the effect I wanted with the textures, I fiddled with the colour balance a bit, and played around with bringing out reds and highlighting yellows:

Then I decided that perhaps there was a little too much red going on, so I toned this down a little with another Curves layer, in the blue section pulling up blue in the shadows and midtones, and slightly pulling yellow into the highlights. It made a little bit of difference and made the image a little more multicoloured:

I wanted to build on the ‘multi coloured’ theme a little more, so I played with the colour balance sliders til I got an effect I liked, whilst still trying to retain yellow highlights that would hint at sunlight:

I then wanted to concentrate on bringing out the details of the dress. I used a new Curves layer to bring out some details in light and shadow. Then I inverted the layer and painted over it in white so only the dress was affected:

Selective Colour is my favourite editing tool – you can use it to change and mix up colours as subtly or as bold as you want! Here I mainly played with sliders on the red, magenta and yellow dropdowns, just to subtly enhance the colours a little more:

I decided I wanted to brighten the whites of the dress a little, so I used a second Selective Colour layer to boost the whites (I could have just edited the other Selective Colour layer but I was lazy!). It made the highlights at the top of the image a little too blown, so I painted over these on the layer mask:

I decided to make the dress colour ‘pop’ a little more – I wanted a deeper colour with some lighter yellowy sunlight highlights so I used one more Selective Colour layer and one more Colour Balance layer, both set to inverse so I could paint back just the details I wanted:

I used one final Colour Balance layer to adjust the whole image for some subtle tweaks. You can see they are very subtle as I’ve erased quite a bit of the layer mask! I just wanted to tweak a few ‘pockets’ of colour:

Finally I lightened the image overall by just pulling up a Curves layer, just so the leaves were a little bit more visible in the shadows. Aside from a little dodging and burning on the face, the image was done:

I hope this made sense, and shows just how different you can make an image in terms of colour adjustment. There is no one way to go about editing colour in images, it’s just all about playing with different adjustment layers, and seeing what works for you! And using Layer Masks, because they are a Godsend:D

Lijan - February 27, 2012 - 6:23 pm

Thanks Sarah!

That was really helpful. I’m new to photoshop and I’m really thankful to you for sharing what you know. Not many people do that.

God Bless. : )

Thanks again!.

sarah - March 1, 2012 - 3:44 pm

You’re welcome, glad it was useful! :)

A massive thank you!

On my first blog post of 2012 I noted how I was amazed to be close to 1,000 followers, and on this one, I am ecstatic to announce I’m now at over 1,100! I really do find it amazing and encouraging that there’s even one person who likes my work, let alone over 999 more than that!

I do appreciate all the time people take to not only like my page, but deem me worthy of an inclusion into their personal lives through Facebook and I do believe you should give as much as you get, so I wanted to give something back as a thank you. One of my resolutions for this year had been to create more work to give away, so I thought doing just that as a thank you would be ideal.

I created 4 actions from scratch that I based on previous images that people had liked, plus added my 4 favourite textures into the mix. Because I know not everyone is a photographer and these might be useless things for the non-photographers out there, I also made some desktop images and Facebook timeline images that I thought might come in handy:)

You can see some before / afters of the actions I made below, and if you fancy having a go on them yourself, simply download the media pack for free on my Facebook page here.

I’m looking forward to creating more of these!:D

Heart of Darkness

My first free action!

I created this action to process a batch of images taken in the lavender field – I came upon the dark edit accidentally whilst playing around with this image of Anna below:

 I created the “Heart of Darkness” action based on this image. I find it works best on images that are very light in colour and tone to begin with. Anything already too dark may not work as well. Personally I never use an action ‘as is’ – whether it’s one I’ve bought, or one I’ve created. I am always a fiddler -I will add or remove layers, change their blending options or opacity, or add textures in. Both images below have had nothing else done to them bar the action itself – It’s up to you to get fiddling!

 

To download this free action, all you need to do is become a fan on my Facebook, and access it from there.  This is the first action of mine that I’ve released, so if you like it, please show me what you do with it! Or if you experience any problems, please let me know as well. I hope to release more free actions in the future!

Enjoy!  :)

 

lino - February 8, 2012 - 10:34 pm

Hi there!
first of let me start with saying that I’m an absolute fan of your work..(i actually liked your fan page!:D)
the progress you went through is really amazing!
i was looking at your blog after looking at your pictures and i came across the Heart of Darkness action. When i wanted to download it i can’t seem to find it?
can you help me out on this one?

love
lino

sarah - February 9, 2012 - 7:49 am

Ah yes, I had to remove the link from my Facebook page temporarily as it would only let me put up one download fan offer at a time, so I swapped it for my media pack until I could work out how to add it back, but I shall email you the download link :)

My 2011 recap!

So, to start off my first full blog post of 2012 (and full blog post on my shiny new blog anyway), I thought I would post a recap on my 2011. It seems a nice way to start a new year, by reflecting on the old one  :)

In 2011, I took more pictures in one year that I have at any year to date. I’d love to say I know exactly how many pictures I took, but having had a fit of rage at my computer memory space being almost full to the brim, I deleted almost 6,000 RAW files and claimed over 160 GB of my storage space back. Over 70% of that were images taken in 2011, so you can at least get a rough idea that I took a LOT of images in 2011.

Three of my main resolutions at the end of 2010 were to:

1. Learn more photography techniques in general, and shoot with a wider range of models, locations, stylings and props.

2. Learn artificual lighting.

3. Shoot people who want their picture taken, and to stop harassing my long suffering friends Lisa and Kate into posing for me (wonderful models as they were).

Happily, I can report I managed to achieve all three goals.

 

I went on several workshops in 2011: one with Rosie Hardy, who was absolutely lovely, and through shooting mad images on a beach she taught me to not be so self conscious when shooting images in public, as well as the wonders you can do with simple props and surroundings. Here I also met Niz, who has since because an absolute gem of a friend – I’ve never met anyone who was more lovely, hardworking, or determined. I came away with not only awesome images from Rosie’s workshop, but also bags of inspiration, and it was she who encouraged me to sign up to Model Mayhem (more on that later).

My favourite images from the day, shot in Southampton:

I also attended two workshops hosted by Miss Aniela (one was co-hosted with Brooke Shaden, who was amazing to meet). I wanted to be able to shoot with models, props and locations not usually accessible to me, as well as learn from two fantastic artists, and both workshops exceeded my highest expectations of what I hoped to achieve from them. The first image below was shot almost on impulse as I was waiting for my turn to shoot. The second was in my head the moment I saw the piano, and after creeping Natalie out somewhat with my terrible sketch of what I wanted to achieve, I finally produced “The Puppeteer & The Pianist”. It looks decidedly less freaky than my sketch apparently was! (I haven’t posted it here for fear of inducing nightmares.)

I also attended a Fashion Experience hosted by Natalie and Matthew, but I have as yet to edit those images, I have left them out of this post. The final workshops I attended were on studio lighting and using a flash. I’ve had two 580EX’s lying dormant since I got them, and last year I really pushed myself into using them. As well as using them on camera I’ve also started to work with them off camera. It’s great fun experimenting (until the umbrella stand blows over in the wind, hits you on the head, then crumples. Thanks wind).

The outside two images were taken whilst I was learning Bowens studio lighting. Thanks to those courses I was able to hold a studio shoot of my own in December. The centre image was taken using two 580EX flashes:

In July I organised an group shoot of my own, in some amazing lavender fields in Hitchin. Here I met Sharon Cooper for the first time, who first introduced me to the fields through her images on Flickr.  Sharon is such a kind and funny lady, and I hope to see more of in 2012. She was also kind enough to let me come shoot a wedding with her in August, and I learnt a lot just from watching her shoot. From that I am now much more confident at shooting weddings, and now have 3 booked so far for 2012, whoo!

For the lavender shoot I arranged the models, props and borrowed costumes from my favourite vintage store, and just let the ladies all have at it. This was not a paid workshop in any way, just me organising for a great group of photogs to meet up, shoot, and have a laugh. And for Niz to introduce us to George the skull  :)  I managed to borrow a genuine Victorian dress for the shoot, but unfortunately it was so genuine the stupid old thing ripped every time Twiglet moved, so I ended up having to fork out £50 to cover repairs.

At this shoot I created what has become my favourite image of 2011, “Frozen Ink” as well as “Summoner of Storms”. I also still have a ton of pictures to edit from this shoot, with a more vintage theme to them.

Below is a group shot of all photog and model attendees (bar Tyla, who took the picture) all looking great with the exception of myself, who as Sevgi can testify, was doing my usual thing of talking when I wasn’t supposed to. Hence the stupid face:

2011 was the first year I got to shoot with genuine models. People who really do want their picture taken, amazing! Rosie encouraged me to create a Model Mayhem page, and through it I met Little Twiglet (horse image), Anna (plaits image, and plenty more still to come), and Cynthia (graffiti image). I also met Rodney, who manages VIP Entertainment, and thanks to him I got to shoot singer Hayley Cassidy (with my flash! Outside and off my camera, hurrah!) and Georgina (my first shoot in a studio, managing the lights!), and hopefully more shoots with him to come this year.

Every model I’ve met so far has been so wonderful and accommodating. I now see Little Twiglet regularly for shoots and meetups and she often comes to shoot and hang out with Sevgi, Bella and Niz too. She never bats an eyelid at my weird ideas, and even has plenty of her own. Anna was so passionate about swing dancing that I’ve been encouraged to start a swing dancing class this year. It’s a shame she moved back to Iceland as I’d have loved to shoot her more. I think I’ve learnt a lot of non photographic stuff having met all these new people  :)

In April Pete and I had what can only be described as an epic holiday, touring California for two weeks. We went to San Francisco, L.A (Disneyland and Universal studios – we saw a Delorean and the Hill Valley clock tower, and it made my day), Las Vegas, Death Valley and Yosemite. We spent my 28th birthday driving from the hot nothingness of Death Valley to the lush greens and snow of Yosemite. Absolutely awesome holiday (apart from a dodgy pizza in Vegas) and as in England we don’t have any landscape even remotely comparable, I confess I totally fell in love with the Valley of Fire  and Death Valley. With those epic names, who wouldn’t? Badwater was one of the weirdest landscapes I have ever seen, and the bottom image of me was taken by Pete, and now hangs on a giant canvas above my desk in our flat:

Towards the end of 2011 I conducted a couple of shoots for independant fashion designers. Gemma at Spotty Dotty contacted me requesting some images for her website, showing off her designs, but in a dark grungy manner. It was absolutely freezing but the models (sourced by Gemma) did an amazing job. I met Siobhan Drew here, an incredible make up artist and hair stylist (as can be seen on the beauty shot of Kirsty, top left). We’ve since planned to meet up for a couple of mad shoots in 2012! Last year I didn’t know any hairstylists or makeup artists, so to be able to meet people who want to fulfil the same crazy ideas that I do is just wonderful.

This was the second time I used my flash off camera outside (580EX camera left, shot through white umbrella) and I’m quite pleased with the results. Fingers crossed for more of the same this year! 2011 was also the year I got addicted to coloured smoke bombs  :)  In this shoot we used red, green, blue, purple and white. The smell never gets any nicer, I can tell you.

My second fashion shoot came about in a really haphazard way. Twiglet contacted me saying she’d arranged to borrow some fantastic clothes from student designer Tonje and asked if I was interested in shooting them. Of course, show anyone a hat with a unicorn horn on, and you’re guaranteed the answer to that straight away. At the same time, Philipp Keusen, a make up and hairstylist from Switzerland sent me a message through Model Mayhem asking if I fancied a TF shoot as he was visiting London and if I knew any models. Of course I put two and two together, and that’s how my Scandinavia series came about – one of my overall favourite shoots of 2011. Philipp was a lovely guy – as well as the hair and makeup for Tonje’s clothes, he also spent some time beforehand expertly weaving my dead old Bonsai tree into Twig’s hair for another shoot. What I loved most about him was that he didn’t even bat an eyelid at my bonsai request, but actively relished it! He was also kind enough to humour me when I stupidly realised I had no idea what the capital of Switzerland was…(I know now, it’s BERN!)

Twiglet and I enjoyed this shoot immensely, and we’re both hoping Philipp will come back to London again soon:)

I wanted to do a seperate blog post later on with my Scandinavia series, so am just posting these two for now, though you can see more on Facebook. (purple smoke bombs FTW!)

Last year I met up with fellow photographers Bella, Sevgi and Niz for some fun shoots and just to hang out. Although I had met up and shot with Sevgi before, we never managed to see each other regularly until now. Originally Bella organised a shoot for us with gorgeous girls Tia and Amber in Brighton, which has now eventually snowballed into us meeting up and shooting once a month (always somewhere different) bringing our own props and weird bits and bobs to mix and match with.  We’ve shot in Hampstead Heath and Cockfosters (no rude jokes please!) and are hoping to keep meeting up once a month this year. It’s really just a chance to get out, experiment with random props, shoot and have fun. We’re always open to having people along, so if you’re in London, just drop me a message!

This below a variety of images taken at Hampstead and Cockfosters. Note how for someone so lovely, Niz does a fantastic evil impression…. she’s clearly been watching her Disney movies.

Testament to how mad we must look when out shooting:

Overall 2011 was a great year for me, I learnt more, pushed boundaries, got my own website (hand built by Pete) and made awesome new friends. I’m now capable with artificial light and embrace learning more of it, unlike previous years where I actively stayed away from it. Through connections made last year I now have bookings, weddings and collaborations lined up this year, with many more to come. Last year when I set up my Facebook page I didn’t think many people would end up taking notice of it, but I’m now at time of writing only 203 people away from having 1,000 fans. I still find it amazing that there are ten people in the world who like my work – to know it’s almost a thousand is absolutely incredible. Sharing yourself and your work socially is a terrifically strong tool, and I hope to share my knowledge further in 2012 by writing /recording tutorials and giving out actions I’ve created and textures I’ve used.

I also joined up with another stock agency last year, to bring my total to three. Through them I’ve been on 3 book covers and the same odd psychic magazine over and over (I read it once, and it made no sense). Still, all sales are good sales, and fingers crossed for more to come this year:)

Although I haven’t fully decided what I want to achieve this year, I know I want it to be more of the same from last year – more shoots, more lighting, more friends and more fun. I aim make more connections and help others out when I can, and hopefully a lot of that will be achieved on this blog, which I do resolve to maintain so please watch this space!

I realise this has been an epically long post, so if you have indeed made it all the way to the end the only thing left to say is thank you for taking the time, and I hope to see you again soon  :)